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An akh was a blessed spirit with magical powers who would dwell among the gods. The nature of the afterlife which the dead person enjoyed is difficult to define, because of the differing traditions within Ancient Egyptian religion.
In the Book of the Dead , the dead were taken into the presence of the god Osiris , who was confined to the subterranean Duat. There are also spells to enable the ba or akh of the dead to join Ra as he travelled the sky in his sun-barque, and help him fight off Apep.
There are fields, crops, oxen, people and waterways. The deceased person is shown encountering the Great Ennead , a group of gods, as well as his or her own parents.
While the depiction of the Field of Reeds is pleasant and plentiful, it is also clear that manual labour is required.
For this reason burials included a number of statuettes named shabti , or later ushebti. These statuettes were inscribed with a spell, also included in the Book of the Dead , requiring them to undertake any manual labour that might be the owner's duty in the afterlife.
The path to the afterlife as laid out in the Book of the Dead was a difficult one. The deceased was required to pass a series of gates, caverns and mounds guarded by supernatural creatures.
Their names—for instance, "He who lives on snakes" or "He who dances in blood"—are equally grotesque. These creatures had to be pacified by reciting the appropriate spells included in the Book of the Dead ; once pacified they posed no further threat, and could even extend their protection to the dead person.
If all the obstacles of the Duat could be negotiated, the deceased would be judged in the "Weighing of the Heart" ritual, depicted in Spell The deceased was led by the god Anubis into the presence of Osiris.
There, the dead person swore that he had not committed any sin from a list of 42 sins ,  reciting a text known as the "Negative Confession".
Then the dead person's heart was weighed on a pair of scales, against the goddess Maat , who embodied truth and justice.
Maat was often represented by an ostrich feather, the hieroglyphic sign for her name. If the scales balanced, this meant the deceased had led a good life.
Anubis would take them to Osiris and they would find their place in the afterlife, becoming maa-kheru , meaning "vindicated" or "true of voice".
This scene is remarkable not only for its vividness but as one of the few parts of the Book of the Dead with any explicit moral content.
The judgment of the dead and the Negative Confession were a representation of the conventional moral code which governed Egyptian society.
For every "I have not John Taylor points out the wording of Spells 30B and suggests a pragmatic approach to morality; by preventing the heart from contradicting him with any inconvenient truths, it seems that the deceased could enter the afterlife even if their life had not been entirely pure.
A Book of the Dead papyrus was produced to order by scribes. They were commissioned by people in preparation for their own funeral, or by the relatives of someone recently deceased.
They were expensive items; one source gives the price of a Book of the Dead scroll as one deben of silver,  perhaps half the annual pay of a labourer.
In one case, a Book of the Dead was written on second-hand papyrus. Most owners of the Book of the Dead were evidently part of the social elite; they were initially reserved for the royal family, but later papyri are found in the tombs of scribes, priests and officials.
Most owners were men, and generally the vignettes included the owner's wife as well. Towards the beginning of the history of the Book of the Dead , there are roughly 10 copies belonging to men for every one for a woman.
The dimensions of a Book of the Dead could vary widely; the longest is 40m long while some are as short as 1m.
The scribes working on Book of the Dead papyri took more care over their work than those working on more mundane texts; care was taken to frame the text within margins, and to avoid writing on the joints between sheets.
The words peret em heru , or 'coming forth by day' sometimes appear on the reverse of the outer margin, perhaps acting as a label.
Books were often prefabricated in funerary workshops, with spaces being left for the name of the deceased to be written in later.
The text of a New Kingdom Book of the Dead was typically written in cursive hieroglyphs , most often from left to right, but also sometimes from right to left.
The hieroglyphs were in columns, which were separated by black lines — a similar arrangement to that used when hieroglyphs were carved on tomb walls or monuments.
Illustrations were put in frames above, below, or between the columns of text. The largest illustrations took up a full page of papyrus. From the 21st Dynasty onward, more copies of the Book of the Dead are found in hieratic script.
The calligraphy is similar to that of other hieratic manuscripts of the New Kingdom; the text is written in horizontal lines across wide columns often the column size corresponds to the size of the papyrus sheets of which a scroll is made up.
Occasionally a hieratic Book of the Dead contains captions in hieroglyphic. The text of a Book of the Dead was written in both black and red ink, regardless of whether it was in hieroglyphic or hieratic script.
Most of the text was in black, with red ink used for the titles of spells, opening and closing sections of spells, the instructions to perform spells correctly in rituals, and also for the names of dangerous creatures such as the demon Apep.
The style and nature of the vignettes used to illustrate a Book of the Dead varies widely. Some contain lavish colour illustrations, even making use of gold leaf.
Others contain only line drawings, or one simple illustration at the opening. Book of the Dead papyri were often the work of several different scribes and artists whose work was literally pasted together.
The existence of the Book of the Dead was known as early as the Middle Ages, well before its contents could be understood.
Since it was found in tombs, it was evidently a document of a religious nature, and this led to the widespread misapprehension that the Book of the Dead was the equivalent of a Bible or Qur'an.
In Karl Richard Lepsius published a translation of a manuscript dated to the Ptolemaic era and coined the name " Book of The Dead" das Todtenbuch.
He also introduced the spell numbering system which is still in use, identifying different spells. The work of E. Wallis Budge , Birch's successor at the British Museum, is still in wide circulation — including both his hieroglyphic editions and his English translations of the Papyrus of Ani , though the latter are now considered inaccurate and out-of-date.
Allen and Raymond O. Orientverlag has released another series of related monographs, Totenbuchtexte , focused on analysis, synoptic comparison, and textual criticism.
Research work on the Book of the Dead has always posed technical difficulties thanks to the need to copy very long hieroglyphic texts. Initially, these were copied out by hand, with the assistance either of tracing paper or a camera lucida.
In the midth century, hieroglyphic fonts became available and made lithographic reproduction of manuscripts more feasible.
In the present day, hieroglyphics can be rendered in desktop publishing software and this, combined with digital print technology, means that the costs of publishing a Book of the Dead may be considerably reduced.
However, a very large amount of the source material in museums around the world remains unpublished. From Wikipedia, the free encyclopedia.
For other uses, see Book of the Dead disambiguation. List of Book of the Dead spells. The ancient Egyptian books of the afterlife.
How to Read the Egyptian Book of the Dead. The Book of Rao is the Kryptonian 's version of the bible.
It is believed to be the Kandorian bible early on and to possess the knowledge of Rao. Its true purpose was to send the Kandorian clones to another plane of existence, another world.
With the planet Krypton on the verge of destruction, Jor-El, before sending his son, Kal-El, to Earth, travelled to the planet and while there hid the Book of Rao on the Kent's Farm, where in the distant future he knew his son would need its assistance.
Jor-El's clone reveals its whereabouts at the Kent Farm when discovering that the Kandorian clones have been released from the orb.
Initially, Zod mentioned that he needed the Book's power to complete his solar tower and turn Earth 's yellow sun red to gain his native powers.
However, Faora mentioned to Clark that the Book of Rao had powers and, if Zod gained control of it, it would prove to be dangerous to everyone around him.
Even so, there was no mention of any specific powers that the book contained. Martha Kent mentioned to Clark that the Book of Rao has the power to ascend the Kandorians to another, higher plane of existence and, if the Book of Rao is used to send them there, all Kryptonians would be exiled from Earth, including Clark.
Zod told Clark that if they had the Book of Rao there would be no limit to what they could achieve, although this may be an exaggeration. When clones of Jor-El , Zod , and the other Kandorians were created by the Orb , when Jor-El realized the potential danger it posed, he went to the Kent Farm to make sure that the Book of Rao remained hidden.
Chloe Sullivan saw this on footage taken by the Watchtower 's cameras, but didn't pay much attention because she did not know what it was or its importance.
Zod started his search for the Book of Rao because he needed it to complete his solar towers and gave Lois Lane a charm shaped like the symbol of Rao, thinking Clark would recognize it because he knew about the book, but once Clark proved not to have any knowledge about the Book of Rao, Zod continued his search.
When Zod gained back his powers after Clark healed him from a gunshot wound using his blood , he stopped his search for the book but, after learning of the existence of the Fortress of Solitude , he started his search again with the new idea of world domination.
When Clark showed Faora an entry in Dr. Virgil Swann 's journal mentioning Zod destroying Krypton , she also mentioned to Clark what Zod wanted to do all this time and sketched him a portrait of the Book of Rao.
She mentioned that it was a Kryptonian bible and contained powers, and if Zod got a hold of it, it could prove fatal for everyone on Earth.
He then decided to talk with Vala to find out more about the book, learning that the book may serve to stop Zod and his army because it was able to eliminate all the Kryptonian clones.
Clark asked Vala if Zod possessed the book, but the name of the Red Queen was mentioned again and she told him that Tess Mercer was the one who had been blocking all their moves.
Meanwhile, Zod, posing as the Blur, enlisted Lois' help and gave her information about the Book of Rao. When Perry White showed her information about the book, he and Lois became partners to cover the story.
Maxwell Lord infiltrated Tess' mind to try and find out the location of the book because he thought she was the one who had stolen it, but she escaped and revealed that she was not the Red Queen.